CURRICULUM
VITAE
OITTINEN (ex Seppälä, born
Oittinen) Tytti Maija Elisa
Date
and place of birth: 12.2.1945 Helsinki, Finland
STUDIES, DEGREES:
Graduated
from Oulun Normaalilyseo 1963
Bachelor
of Arts, Helsinki University 1968
Theatre
degree (directing), Academy Dep. of Finnish Theatre School, 1970
Master
of Arts, Helsinki University 1975
Licenciate
of Arts (corresponds to Ph.D. or M.Phil.), Helsinki University 1977
Various
continuing education courses in Finland and abroad.
LANGUAGES:
Finnish
(mothertongue), Swedish, German, French, English, Norwegian
Certificates:
Pro
execitio examinations in English, German and Latin, Helsinki University
Certificate
of good knowledge in English, Helsinki University 1974
Certficate
of satisfactory knowledge in French, Helsinki University 1975
State
certificate of good knowledge (written and spoken) in Swedish 1989
OCCUPATIONS:
Helsinki
City Theatre 1968-69, assistant in directing
KOM-teatteri
1971-73, director, dramaturge, actor, administration
Ryhmäteatteri
1970, visiting director, 1973-74 artistic director
Helsinki
University 1975, assistant teacher in Literature and Esthetics
Nordic
Theatre Committee, General Secretary 1980-83
Theatre
Academy, Head of Continuing Education Centre 1987-89
Espoo
Theatre, artistic director 1989-94
Helsinki
Institute of Art and Media, 1997-2001, lecturing teacher
ARTISTIC WORK, MISE-EN-SCÈNE ETC:
Garson, Lauri
Sipari, Tytti Oittinen: MacBird II, Helsinki Student Theatre 1968
Love
Thy Neighbour or 10 New Commandments, a Church Cabaret, Helsinki Student
Theatre 1969
Pekkarinen
(adapt. L.Sipari-T.Oittinen): Kaunis Veera, Helsinki Student Theatre 1969
The
Nazarethian (Final production for Acting and Directing students),
Tikapuuteatteri (Theatre Academy) 1970
L.Sipari-T.Oittinen-T.Virkki:
Sven Tuuva, Ryhmäteatteri, Viapori Summer Theatre 1970
L.Sipari-T.Oittinen:
Suomen kuningas, KOM-teatteri, Viapori Summer Theatre 1971
L.Sipari-T.Oittinen:
Armistice, KOM-teatteri 1972
Mrs Jotuni's
Tales, Ryhmäteatteri 1972
Keep
on going, Soviet Country, Ryhmäteatteri 1973
L. Sipari:
Summer in Aunus, Ryhmäteatteri, Viapori Summer Theatre 1973
Isidor Stok:
Divina Commedia, Ryhmäteatteri 1973
L. Sipari: -06,
Ryhmäteatteri, Viapori Summer Thteare 1974
A. Ostrovski: En svindlers dagbok, Telemark Teater, Norway 1977
O. Dragun: Tre historier å fortelle, Telemark teater, Norway 1977
A.
Miller: Noitavaino (The Crucible), Tikapuuteatteri (Theatre Academy), model
production 1977-78
A. Ostrovski: Klugsein schutzt vor Torheit nicht, Friedrich Wolf Theater,
Neustrelitz, GDR, 1978
M.
Gorki: Småborgare (Petit Bourgeois), Tikapuuteatteri (Theatre Academy), Swedish
model production 1979
M.
Gorki: Småborgarar, final production of Acting students, Statens Teaterskole,
Oslo, Norway 1979
M. Waltari:
Omena putoaa, Helsinki Summer Theatre, 1979
E. Ionesco: Jeux
de massacre, Trondelag Teater, Norway 1982
V. Andersen:
Siskonpeti, Theatre group Musta Leski, 1982
T. Idström: Den
Stora Magiska Varietén, Swedish Theatre, Helsinki 1983
P.Jaakola: Kasi
puol (8½), TG Musta Leski, 1983-84
R.D. MacDonald:
Huipputapaaminen (The Summit Conference), TG Musta Leski, 1984
Dumas-Mankell-Oittinen:
De Tre Musketörerna (The Three Musketeers), Kronobergsteatern, Sweden 1985
A. Ostrovski:
Rahalla saa , Lahti City Theatre 1985
Kullman-Stjerne: Stridshästen, Dalateatern, Sweden 1986
T.
Williams: Den tatuerade rosen (The Rose Tattoo), Wasa Teater 1986
Helakisa-Oittinen:
Ainakin miljoona sinistä kissaa, Lahti City Theatre 1987-89
Harald
Mueller: Lautta (The Death Ferry), Espoo Theatre 1989
Theatresports
- improvised theatre, Espoo Theatre 1990-90
M.Duras:
Hiroshima mon amour, Espoo Theatre 1991-92
A.Suhola: Musta
morsian elämän täydessä puvussa, one-woman musical with Ritva Oksanen 1991-94
H.
Ibsen: Nukkekoti (A Doll's House), Espo Theatre 1992-94
A.Suhola: Korva
elämän kyljessä, monologue for Ritva Oksanen, Espoo Theatre 1992
L.Carroll-M.
Voipio: Liisa peilimaassa (Through the Looking Glass), Espoo Theatre 1993
A.
Fugard: Piilopaikka (A Place with Pigs), Espoo Theatre 1993
Theatresports
- improvised theatre, Kotka City Theatre 1994
A.
Chechov: Kolme sisarta (Three sisters), Espoo Theatre 1994
W.
Shakespeare: Kesäyön uni ( A Midsummer Night's Dream), Oulu City Theatre 1995
M.
Norman: Hyvää yötä, äiti (Good Night, Mother) Pori Theatre 1995
A.
Chechov: Kirsikkapuisto (Cherry Orchard) Kotka City Theatre 1995
M.
Jotuni: Kultainen vasikka (The Golden Calf), Pori Theatre 1996
W.
Shakespeare: Myrsky (The Storm) Kuopio City Theatre 1996
In
addition various productions for radio theatre, TV- and videodocumentations of
theatre productions, dramaturgical adaptations, as well as acting 1966-73
(Helsinki Student Theatre, KOM-teatteri) and choreographies for dance and
fights in amateur and professional theatres 1966-71.
SPECIAL INTEREST: INVESTIGATING IMPROVISED
THEATRE FORMS
Improvisation,
creative and interactive education
-
assistant teacher to Keith Johnstone (professor of Drama Dep., Calgary
University, creator of Theatresports) on courses in Finland 1990 and 1991
-
teaching impro- and theatresports methods and leading a group of actors
investigating improvised theatre, coaching the group Stella Polaris into
performances (Theatresports, Life Game, Out of the Sleeve and Out of the Hat,
Jump into the Unknown, Off Limits)
-
acting assistant teacher to Nordic teachers of improvised theatre on various
courses organized by Stella Polaris
-
teaching improvisation methods, performance and interactive skills in various
courses, ie
Savonlinna
City Theatre (1992), Hämeenlinna City Theatre (1991,1992), Kotka City Theatre
(1994), Turku Polytechnic, Dep. of Art and Media, visiting teacher (1994,
1995), Helsinki Institute of Art and Media, teacher (1995, 1995), adult
education (1997),
Continuing
Education Centre of Theatre Academy: special course (1994), theatre and drama teachers (1995),
improvisation for Stand up -artists (1997-98)
Theatre
Academy: Acting Dep. (1996, 1997, 1998), Swedish Acting Dep. (1997), Directing
and Dramaturgy Dep. (1997), Music Theatre Training (1998)
In
addition teaching and lecturing for amateur theatre activists, and other
professional groups (child psychiatrists, teachers, social and health workers,
youthpastors, journalists etc.)
Initiating
the first improvisation theatre for professional actors in Vilnius in
Lithuania, co-operation with Lithuanian International Theatre Festival LIFE
1997-98
Organizing
the ”Nordic Master Classes in Improvised Theatre” for the Nordic Theatre
Meeting 1998 in Tampere. The workshops
were lead by the group True Fiction Magazine from San Francisco and combined
with their full-lenght improvised drama performances in Tampere International
Theatre Festival August1998.
OTHER TEACHING EXPERIENCE:
Suomen
Teatterikoulu (Theatre Academy) 1970-77
-
directing (basics, history, professional skills, exercises, small productions),
stage expression, modern drama and theatre, dramaturgy, reading drama and
theatre
-
directing final productions and modelproductions (see artistic work) 1977-78
-
leader and main teacher of Continuing Education Course for Actors (10 weeks), 1978
Helsinki
University, seminars and lectures 1974-75 (see occupations)
Svenska
Teaterskolan (Swedish Theatre School), teacher and lecturer 1973-79
-
theatre history, model production 1978-79 (see artistic work)
Statens Teaterskole, Oslo 1979
-
model production (see artistic work)
University
of Industrial and Applied Arts, Dep. of Costume Design, visiting lecturer
1981-85
-
analysing drama to form a common vision of directing, stage setting and costume
design.
YLE:n
ammattiopisto (Finnish Broadcasting Corporation), visiting lecturer 1983-84
Theatre
Academy, Dep. of Light and Sound Design, planning and initiating the study
program, lecturer 1986-88
Continuing
Education Centre of the Theatre Academy,
as
planner, assistant, visiting lecturer, teacher, consultant 1983-84, 1986-88,
1992, 1993
Helsinki
University, Continuing Education Unit in Lahti, visiting lecturer 1985
Dramatiska Institutet i Stockholm, visiting lecturer 1978, 1980, 1982
AOF
i Ostfold, Skiptvet, Norway, workshops in improvisation, stage expression,
street theatre, clowning, theatre work; intensive summercourses in 1982, 1983,
1984, 1985, 1986, 1991, 1992, 1993, 1994, 1995
Helsinki
Institute of Art and Media, planning, consultation, teaching directing, drama
analysis etc 1995, 1997-
LITERARY WORK:
Suomalaisen
työväenteatteritoiminnan aatteelliset ja käytännölliset tavoitteet, niiden
muotoutuminen ja toteutuminen Työväen Näyttämöiden Liiton toiminnassa vv
1920-1970 (Ideological and practical goals of Finnish workers' theatre activities,
and their forming and realization in The Workers Theatre Union during the years
1920-1970), Licenciate Study, Helsinki
University 1976
Työväen
teatteritaiteen lipunkantajat (The Bannerbearers of Finnish Working Class
Theatre), article published in Kiila Album 10, Helsinki 1977
'Suuri Linja'-
suomalaisen työväenteatteriliikkeen vaiheista ja merkityksestä (On the history
and importance of the Finnish working class theatre movement), Teatteritiedon
perusteet, TNL-TSL opintojulkaisu, Vaasa 1978
Born
og teater i Norden (Children and Theatre in the Nordic Countries) ed. Peter
Duelund and Tytti Oittinen, published by Nordisk Ministerråd, Copenhagen 1982
Introduction
to Keith Johnstone's Impro (Finnish version), published by the Theatre Academy,
Helsinki University Press 1996
Translations
of plays, ie Kado Kotzer: Säädyllistä elämää (Decent Life), Drama Corner
Vita Andersen: Kannibaalit (Cannibals), Drama Corner
In
addition some articles and translations for Kulttuurivihkot and Teatteri
magazines.
SCHOLARSHIPS AND AWARDS:
State
Central Committee for the Arts, 1970, grant for the production of the
performance 'Sven Tuuva'
State
Central Committee for the Arts, 197?, grant for initiating the study of
workers' theatre activities in Finland
State
Drama Award, 1970 for the play 'Sven Tuuva'
State
Central Committee for the Arts, 1971, grant for the production of the
performance 'Suomen kuningas'
Helsinki
City Award for Literature and Arts, 1975
State
Central Committee for the Arts, grants 1982, 1983 and 1984 for the production
of a performance based on Vita Andersens texts and two productions of TG Musta
leski
State
Artists Scholarship for 1 year, 1994
Scholarship
of the Finnish-Swedish Cultural Foundation 1995
Scholarship
of the Jenny and Antti Wihuri Foundation 1995
Nordic
Cultural Foundation, grant for initiating the impro theatre with professional
actors in Lithuania, 1997
STUDY TRAVELS:
German
Democratic Republic, Guest grant of the Ministry of Education (1975)
Paris,
France (1975)
Poland,
Guest grant of the Ministry of Education (1976)
Denmark,
Guest Grant of the Finnish-Danish Cultural Foundation (1983)
Barcelona,
Spain, ITI Guest grant for international theatre congress (1985)
USA,
invited by the USIS International Visitor's Program (1989)
Calgary,
Canada, The 5th International Improvisation School (1993), The 7th
International Improvisation School (1995)
London,
Manchester, GB, invited by the British Council (1993)
Czech,
exchange of the ITI Centre (1993)
Sweden
(Stockholm, Svenska Teaterbiennalen/Malmö, Korsväg/ISTA/Umeå), grant of the
Swedish-Finnish Cultural Foundation (1995)
The
main task as General Secretary of the Nordic Theatre Committee was organizing
seminars, courses and congresses for Nordic theatre professionals, which implied
extensive travelling. The work as Director of the Continuing Education Centre
of the Theatre Academy as well as leading the Espoo Theatre also included
constant travelling to seminars, congresses and festivals. Here a sample:
Nordic
Theatre Days incl. meetings of Nordic Theatre Union in Stenungsund (1980),
Reykjavik (1982), Helsinki (1988), Stockholm (1990),
Stanislavski
Symposium, Moscow (1982)
Festival
of Fools (1980, 1981, 1982, 1983, 1984, 1985)
Copenhagen
International Theatre Festival (1986, 1987, 1988, 1989, 1990)
IETM-meetings
and congresses in Salzburg (1987), Zagreb (1990), Genève (1992), Stockholm
(1993), Tallinn (1993), Manchester (1993)
Visits
to New York (1990), Paris (1990, 1991, 1992, 1993), Avignon (1989, 1991, 1992),
Roy Hart Theatre Institute of Human Voice, Malérargues (1989, 1991, 1992)
In
addition private study travels have included several visits to Paris and the
rest of France, Berlin, Bonn, London, Amsterdam, Mexico, China, Moscow,
Leningrad/St Petersburg, Portugal, and all Nordic countries.
In
the Improvisation theatre and Theatresports field international contacts have
also been necessary : The International Improvisation School in Calgary (1993,
1995), the Just for Laughs Festival in Montréal (1995), The Nordic and
International Theatresports Festivals in Stockholm (1990), in Oslo (1991), in
Espoo (organizer, 1994), in Amsterdam (1996), in Vilna (1997) and in San
Fransisco/Bay Area Theatresports, True Fiction Magazine (1997).
CONFIDENTIAL POSTS (in 1990ies):
Improvisation
Theatre Stella Polaris - theatresports TM Finland ry, chair of the board
1991-1998
Nordic
Theatredirectors Council (NSIR), chairperson 1997 -
Finnish
Theatredirectors Union, member of the board and the working groups for
education and international affairs 1997 -